Artists’ Profiles

Tito Muñoz

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Conductor

Now in his ninth season as as the Virginia G. Piper Music Director of The Phoenix Symphony, Tito Muñoz previously served as Music Director of the Opéra National de Lorraine and the Orchestre symphonique et lyrique de Nancy in France.

Tito has appeared with many of the most prominent orchestras in North America, including those of Atlanta, Baltimore, Dallas, Detroit, Houston, Indianapolis, and Milwaukee. He also maintains a strong international conducting presence, including engagements with the Frankfurt Radio Symphony, SWR Symphonieorchester, Mahler Chamber Orchestra, Lausanne Chamber Orchestra, BBC Symphony Orchestra, Ulster Orchestra, Danish National Chamber Orchestra, Luxembourg Philharmonic, Opéra Orchestre National Montpellier, Opéra de Rennes, Auckland Philharmonia, Sydney Symphony and Sao Paolo State Symphony.

Born in Queens, New York, Tito made his professional conducting debut in 2006 with the National Symphony Orchestra at the Kennedy Center and made his Cleveland Orchestra debut at the Blossom Music Festival that same year.

Michelle Cann

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Piano

Lauded as “technically fearless with…an enormous, rich sound” (La Scena Musicale), pianist Michelle Cann made her orchestral debut at age fourteen. A champion of the music of Florence Price, Ms. Cann performed the New York City premiere of the composer’s Piano Concerto in One Movement with The Dream Unfinished Orchestra in July 2016 and the Philadelphia premiere with The Philadelphia Orchestra and Music Director Yannick Nézet-Séguin in February 2021, which The Philadelphia Inquirer called “exquisite.” She has also performed Price’s works for solo piano and chamber ensemble for prestigious presenters such as Caramoor, Chamber Music Detroit, the Philadelphia Chamber Music Society, San Francisco Performances, and Washington Performing Arts.

Ms. Cann is the recipient of the 2022 Sphinx Medal of Excellence, the highest honor bestowed by the Sphinx Organization, and the 2022 Andrew Wolf Chamber Music Award. Ms. Cann studied at the Cleveland Institute of Music and the Curtis Institute of Music, where she holds the inaugural Eleanor Sokoloff Chair in Piano Studies.